Dark Divine - The Shallow Graves Tour 2026

Last night at The Palladium in Worcester, MA, Dark Divine finally stepped into the spotlight they’ve been steadily building toward since forming out of Orlando, Florida in 2021. What started as a band blending theatrical horror influences with metalcore intensity has matured into a captivating live act worthy of headlining their first North American tour: The Shallow Graves Tour.

Having seen them three times now, it’s been amazing to watch them rise. The first two times I caught them live they were an opener, still winning over new crowds. Now they're taking off across America with their very first headlining tour.

The setlist was a great mix of old and new. Although the band’s full discography remains concise, the set felt well-paced and impactful. They pulled from their breakthrough singles like “Halloweentown,” which first put them on playlists and satellite radio rotation, to heavier cuts from their full-length album Deadly Fun, released in 2023 to positive fan and critic reactions. Fans who have been following the band from the early days were excited to hear some of the older songs make it into the set, and you could feel the energy in the room shift when those familiar intros started. At the same time, their newer material fit right in and showed how much their sound has evolved while still keeping the same dark, emotional edge that drew people in from the start. The second they started Paper Crowns, the crowd lit up. It turned into one of those moments where nearly everyone was singing along, which made the chorus hit even harder. Later in the night they played Cold, which brought a darker, moodier vibe to the room and sounded fantastic live. As someone in the audience, I was so happy when those favorites appeared in the setlist. They’re the songs that first drew many listeners to the band, and experiencing them in a packed room full of equally invested fans amplified their emotional impact

Anthony’s vocals were immaculate. Studio recordings already highlight his incredible range and emotion, but hearing it live is something else entirely. He moved effortlessly between haunting melodies and powerful, gritty moments, and every note carried across the venue with intensity. Guitarist Robby Lynch’s eerie riffs and rhythm work provided a chilling counterpoint, while bassist Cory “Scissorhands” Piscitelli and drummer Triston Blaize delivered thunderous low end and precision that held the entire performance together.

What sets Dark Divine apart isn’t just the music, it’s the spectacle they are to watch. Their horror-inspired visuals and onstage personalities turned the room into something closer to a ritual than a rock show. Martinez interacted constantly with the crowd, sometimes descending from the stage to shout lines directly into fans’ faces. Lynch and Piscitelli, with their stylized looks and demeanor, added to the eerie yet infectious energy, making every breakdown feel like a summoned spell.

The night kicked off with Set For Tomorrow, whose performance immediately grabbed the crowd’s attention. Known for their cinematic blend of alternative metal and high‑energy groove, Set For Tomorrow brought a punchy, engaging set that struck a perfect balance between aggression and melody. Following the intensity of Set For Tomorrow, Bailey Spinn brought another dynamic flavor to the bill. Their set blended emotive vocals with powerful instrumentation, offering both raw energy and atmospheric depth.

The third and final opener was Orlando’s own Not Enough Space, and honestly, they were a highlight in their own right. The band has been building a solid buzz in the metalcore and post‑hardcore world, recently signing with Thriller Records and racking up over 10 million streams across platforms with standout tracks like “No Way Out” and “Primitive.” Not Enough Space hit the stage with fierce energy, dual vocalists Lizzie Raatma and Liv Mitchell trading melodic and more aggressive lines over jam‑ready riffs and tight rhythm work. Whether you were already familiar with their music or hearing them for the first time, they set a high bar for the night.